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That’s because the story epitomized the severity of Ellis’ alcohol and drug addiction. 'Silence of the Lambs': The Complete Buffalo Bill Story “But he came around to realizing that it wouldn’t.” I think it was something he kinda sorta wished would go away,” his fourth wife, Hjordis, told ESPN. In his later years, he would even come to be embarrassed by the acid no-hitter, to look back on it with regret. Because he was so much more than just the hard-partying guy who gave the press something to write about when he stepped out onto the field for pregame warmups with pink curlers in his hair. But to distill the man’s legacy down to just this story is to do a disservice to the person Ellis really was, and how Ellis himself wanted to be remembered. Now, nine years after his death at age 63, Dock Ellis’ name is synonymous with the baseball game he pitched while tripping on acid. Every year on June 12th, sports publications will predictably churn out think pieces memorializing the 1970 game in which Ellis no-hit the San Diego Padres while walking eight batters. You can watch an animated short about the accomplishment, and listen to Ellis himself narrate. There is a recent documentary about the pitcher’s life, its title is simply, No No: A Dockumentary. There are T-shirts that state this achievement. This fact has become baseball legend, and Ellis a cult hero. Bad trips are easy to escape – unless, of course, you have a problem with the internet.In 1970, as a member of the Pittsburgh Pirates, Dock Ellis pitched a no-hitter on LSD. You want to know what crazy is? Just take a ride in Jennifer Kanary’s world-bending virtual reality. And now it does a better job of what the post-war shrinks of picket fence America intended for Lysergic Acid: letting us inside each other’s heads, allowing us to take a little tour through other minds. Both ministers and criminals find applications – it brings us all together and it opens up new battlefields. The Labyrinth Psychonautica is, then, direct descendent of those early trials – a virtual reality encounter with psychosis, a measured portal into deep hallucination.Ĭyberspace, like other psychedelic substances, reflects the dreams and minds of those who use it. Among the many brilliant youth in Leary’s entourage was Jaron Lanier, computer whiz (and genius ethnomusicologist) who dreamed up “virtual reality” and now designs immersive game environments for Microsoft. And in many ways, the visionary acid-head was right: the Web breaks boundaries, dissolves our human egos into something more transparent and trans-national, creative and unstable. Tim Leary in his final years declared the World Wide Web this generation’s LSD, the next great psychedelic. A generation passed before the hippie revolution during which the value of these chemicals seemed either to induce suggestibility in captured spies or to allow a doctor to imagine, understand, and sympathize with schizophrenic patients.įast-forward forty years. Treating them as though they triggered temporary madness made it so. In the 1950s, when the CIA helped loose Swiss chemist Albert Hofmann’s “problem child” LSD into American history, psychologists believed that it might be a way to simulate and understand psychosis – the class of substances including acid, mescaline, and magic mushrooms were considered “psychotomimetics,” only later reconsidered and rebranded “psychedelics” (“mind manifestors”) when people learned that tripping amplifies the context and expectations of the tripper.